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ARISTOTLE. i.384-322 BC. Meteorologica, book III. English translation by W. S. Hett, (Cambridge, Massachusetts: Harvard University Press, 1936).

ARISTOTLE. i.384-322 BC. De anima, book II. English translation by W. S. Hett, "On the soul", in Aristotle: On the soul, Parva naturalia, On breath (Cambridge, Massachusetts: Harvard University Press, 1936).

ARISTOTLE. i.384-322 BC. De sensu et sensibilia. English translation by W. S. Hett, "On sense and sensible objects", in Aristotle: On the soul, Parva naturalia, On breath (Cambridge, Massachusetts: Harvard University Press, 1936).

ARISTOTELIC SCHOOL. i.322-269 BC. De coloribus. English translation by W. S. Hett, "On colours", in Aristotle: Minor works (Cambridge, Massachusetts: Harvard University Press, 1936).

GROSSETESTE, Robert. c.1230. De colore. Published in Beiträge zur Geschichte der Philosophie des Mittelalters, vol. IX (Münster, Germany, 1912).

GROSSETESTE, Robert. c.1230. De iride seu de iride et speculo. Published in Beiträge zur Geschichte der Philosophie des Mittelalters, vol. IX (Münster, Germany, 1912).

ALBERTI, Leon Battista. 1435. De pictura. English translation, "Of Painting", in The architecture of Leon Batista Alberti, ed. Giacomo Leoni (London: Edward Owen, 1755). English translation by John R. Spencer, On painting (New Haven, Connecticut: Yale University Press, 1956).

LEONARDO DA VINCI. i.1490-1516. Trattata della pittura, based on the Codice Vaticano Urbinate 1720 (Roma: Unione Cooperative Editrice, 1890). English translation by Philip McMahon, Treatise on painting (Princeton, New Jersey: Princeton University Press, 1956).

TELESII, Antonio. 1528. De iride et coloribus (Venezia: Opera).

MORATO, Fulvio Pellegrino. 1535. Del significato de' colori e de' mazzolli (Venezia).

DOLCE, M. Ludovico. 1565. Dialogo ... nel quale si ragiona della qualità, diversità e proprietà dei colori (Venezia).

TELESII, Bernardino. 1570. De colorum generatione opusculum (Napoli).

FREISCHER, J. 1571. De iridibus doctrina Aristotelis et Vitellionis (Vitembergae).

SAVOT, Louis. 1609. Nova, seu verius nova antiqua de causis colorum Sententia (Paris).

DOMINIS, M. Antonius. 1611. De radiis visus et lucis in vitris perspectivis et iride (Venezia).

FORSIUS, Sigfrid. 1611. Physica, manuscript in the Royal Library, Stockholm. Published in Acta Bibliothecae Stockholmiensis, 1971.

AGUILONIUS, Franciscus. 1613. Opticorum libri sex (Antwerp, Belgium: Plantin).

MAUROLYCUS. 1613. De lumiere et umbre (Lugd).

DESCARTES, René. 1637. De meteoris.

MARCI, J. M. 1648. Thaumantias, liber de arcu coelesti, deque clorium apparentium natura ortu et canusis (Praga).

KIRCHER, Athanasius. 1646. Ars magna lucis et umbrae (Roma).

CARDANO, Gerolamo. 1663. "De gemmis et coloribus", in Opera omnia, 10 vols. (Lyon), vol. II, chap. X.

BOYLE, Robert. 1664. Experiments and considerations touching colours (London: Henry Herringman). Facsimilar reprint, with introduction by Marie Boas Hall (New York: Johnson Reprint Corporation, 1964).

GRIMALDI, Francisco Maria. 1665. Physico-mathesis de lumine, coloribus et iride (Bononiae).

NEWTON, Isaac. 1672. "A new theory about light and colours", Philosophical Transactions of the Royal Society VI (80), February, 3075-3087.

BRENNER, Elias. 1680. Nomenclatura et species colorum (Stockholm).

MARIOTTE, Edme. 1681. Essai de la nature des couleurs (Paris).

ZAHN, Johannes. 1685. Oculis Artificialis Teledioptricus Sive Telescopium (Würzburg, Germany).

HUYGENS, Christian. 1690. Traité de la lumière (Leiden, The Netherlands).

PILES, Roger de. 1699. Dialogue sur le coloris (Paris).

NEWTON, Isaac. 1704. Opticks: or, a treatise of the reflections, refractions, inflections and colours of light (New York: Dover Publications, 1952, based on the 4th edition, London, 1730).

MAYER, Tobias. 1722. De affinitate colorum commentatio, manuscript. Published posthumously in G. C. Lichtenberg, ed., Opera inedita, vol. I (Göttingen, Germany: Dieterich, 1775).

LE BLON, Jacob Christoph. 1725. Coloritto; or the harmony of colouring in painting, reduced to mechanical practice (London).

ALGAROTTI, Francesco. 1737. Il newtonianismo ovvero dialoghi sopra la luce, i colori e la attrazione (Napoli, 1746).

CASTEL, Louis Bertrand. 1740. L'optique des couleurs, fondée sur les simples observations et tournée surtout à la pratique de la peinture, de la teinture et des autes arts coloristes (Paris).

BOUGUER, Pierre. a.1758. Traité d'optique sur la gradation de la lumière, posthumous edition arranged by Nicolas Louis de la Caille (Paris: H. L. Guerin & L. F. Delatour, 1760). English translation by W. E. Knowles Middleton, Pierre Bouguer's optical treatise on the gradation of light (Toronto: University of Toronto Press, 1961).

D'ARCLAIS DE MONTAMY, Didier. 1765. Traité des couleurs pour la peinture en émail et pour la porcelaine (Paris).

HARRIS, Moses. 1766. Natural system of colours (London: Laidler). Facsimile reprint by Faber Birren (New York: Van Nostrand Reinhold, 1963).

LAMBERT, Johann Heinrich. 1772. Beschreibung einer mit dem Calauschen Wachse ausgemalten Farbenpyramide (Berlin: Hande and Spener).

PRIESTLEY, Joseph. 1772. The history and present state of discoveries relating to vision, light and colours, 2 vols. (London: Johnson).

SCHIFFERMÜLLER, Ignaz. 1772. Versuch eines Farbensystems (Wien: A. Bernardi).

PALMER, George. 1777. Theory of colours and vision (London: S. Leacroft).

CARVALHO E SAMPAYO, Diogo de. 1787. Tratado das cores (Malta).

WÜNSCH, Christian Ernst. 1792. Versuch und Beobachtungen über die Farben des Lichts (Leipzig: Breitkopf).

BANCROFT, Edward. 1794. Experimental researches concerning the philosophy of permanent colours, 2 vols. (London). (Philadelphia, 1814).

DELAVAL, Edward Hussey. 1797. Recherches expérimentales sur la cause des changements des couleurs (Paris).

DALTON, John. 1798. "Extraordinary facts relating to the vision of colours: with observations", Memoirs and Proceedings of the Literary and Philosophical Society of Manchester 5, 28-45.

VENTURI, G. B. 1800. Indagine fisica sui colori (Modena).

YOUNG, Thomas. 1801. "On the theory of light and colours", Philosophical Transactions of the Royal Society of London 92, part I, 1802, 12-48.

YOUNG, Thomas. 1802. "An account of some cases of the production of colours, not hitherto described", Philosophical Transactions of the Royal Society of London 92, part II, 387-397.

RUMFORD, T. B. 1804. Recherche sur la couleur (Paris).

GOETHE, Johann Wolfgang von. 1808-1810. Materialien zur Geschichte der Farbenlehre, Zur Farbenlehre, 2 vols. (Tübingen: Cotta). English translation by Charles Lock Eastlake, Goethe's theory of colours (London: Murray, 1840). American edition arranged by Rupprecht Matthaei and translated by Herb Aach, Goethe's color theory (New York: Van Nostrand Reinhold, 1971).

SOWERBY, James. 1809. A new elucidation of colours, original, prismatic and material (London).

RUNGE, Philipp Otto. 1810. Die Farbenkugel, oder Konstruktion des Verhältnisses aller Mischungen der Farben zu einander, und ihrer vollständigen Affinität (Hamburg: F. Perthes).

WERNER, Abraham G. 1814. Werner's nomenclature of colors, ed. by Patrick Syme (London: William Blackwell and T. Caddell).

FIELD, George. 1817. Chromatics, or, an essay on the analogy and harmony of colours (London).

READE, Joseph. 1818. Experimental outlines for a new theory of colours, light and vision (London: Longman, Hurst, Rees, Orme and Brown).

HERSCHEL, John. 1823. "On the absorption of light by coloured media, and on the colours of the prismatic spectrum exhibited by certain flames", Transactions of the Royal Society of Edinburgh XII.

PURKINJE, Johann. 1825. "Beobachtungen und Versuch zur Physiologie der Sinne", Zweites Bändchen: Neue Beiträge zur Kenntniss des Sehens in subjectiver Hinsicht, Berlin, 192-.

HAYTER, Charles. 1826. A new practical treatise on the three primitive colours (London).

SCHOPENHAUER, Arthur. 1830. Theoria colorum physiologica (Leipzig: Redam).

BREWSTER, David. 1831. "On a new analysis of solar light, indicating three primary colours, forming coincident spectra of equal lenght", Transactions of the Royal Society of Edinburgh XII, 123-136.

FECHNER, Gustav T. 1834. Elemente der Psychophysik (Leipzig: Breitkopf & Härtel).

FIELD, George. 1835. Chromatography or a treatise on colours and pigments (London: Charles Tilt).

PORTAL, P. P. Frederic de. 1837. Des couleurs symboliques dans l'antiquité, le moyen âge et les temps modernes (Paris: Treuttel et Wurz).

BREWSTER, David. 1838. A treatise on optics (London and Philadelphia: Lea & Blanchard)

FECHNER, Gustav T. 1838. "Über eine Scheibe zur Erzeugung subjectiver Farben", Annalen der Physik, 2nd series 45 (15), 227-232.

HOWARD, Frank. 1838. Colour as a means of art (London).

CHEVREUL, M. Eugène. 1839. De la loi du contraste simultané des couleurs et de l'assortment des objets colorés (Paris: Pitois-Levrault). English translation, The principles of harmony and contrast of colours (London: Longman, Brown, Green and Longmans, 1854).

HAY, David R. 1845. A nomenclature of colours, hues, tints and shades (Edinburgh, Scotland).

HAY, David R. 1845. The principles of beauty in colour systematized (Edinburgh, Scotland: William Blackwood and Sons).

HAY, David R. 1847. The laws of harmonius colouring, adapted to interior decorations (London).

JONES, O. 1852. An attempt to define the principles which should regulate the employment of colour in the decorative arts (London: G. Barclay).

LINTON, William James. 1852. Ancient and modern colors from the earliest periods to the present time: with their chemical and artistical properties (London: Longman, Brown, Green, and Longman).

GRASSMANN, Hermann Günter. 1853. "Zur Theorie der Farbenmischung", Poggendorf Annalen der Physik und Chemie 89, 69-84. English translation, "On the Theory of Compound Colors", Philosophical Magazine S.4, 7 (45), April 1854, 254-264.

REDGRAVE, R. 1853. An elementary manual of colour, with a Catechism: to be used with the diagram illustrating the harmonious relations of colour (London: Chapman and Hall).

SYREENI, O. 1853. Standards for colours and basic colour substances (Helsinki).

DELF, Thomas. c. 1855. The principles of colouring in painting (London: Winson & Newton).

MAXWELL, James Clerk. 1855. "Experiments on colour as perceived by the eye, with remarks on colour- blindness", Transactions of the Royal Society of Edinburgh XXI, part 2, 275-298.

WILSON, George, ed. 1855. Researches on colour blindness (Edinburgh, Scotland).

MAXWELL, James Clerk. 1856. "Theory of the perception of colours", Transactions of the Royal Scottish Society of Arts 4, 394-400.

MAXWELL, James Clerk. 1857. "Account of experiments on the perception of colour", Philosophical Magazine, July, 40-47.

MAXWELL, James Clerk. 1860. "On the theory of compound colours, and the relations of the colours of the spectrum", Philosophical Transactions of the Royal Society of

London 150, part I, 57-84. Reprinted in Color Research and Application 18 (4), 1993, 270-287.

CHEVREUL, Michel Eugène. 1861. "Exposé d'un moyen de définir et nommer les couleurs, d'après une méthode précise et expérimentale", in Mem. de l'Institut, Académie des Sciences XXXIII, Paris.

CHEVREUL, M. Eugène. 1864. Des couleurs et de leurs applications aux arts industriels à l'aide des cercles chromatiques (Paris: Ballière).

BRÜCKE, Ernest. 1866. Die Physiologie der Farben für die Zwecke der Kunstgewerbe (Leipzig). 2nd ed. (Leipzig: Hirzel Verlag, 1887).

HELMHOLTZ, Hermann L. F. 1866. Handbuch der Physiologischen Optik (Hamburg: Verlag von Leopold Voss). English translation from the 3rd German edition (1909), Treatise on physiological optics, ed. James P. C. Southall, 3 vols. (The Optical Society of America, 1924-1925). Republication, 2 vols. (New York: Dover, 1962).

GEIGER, L. 1867. Ueber den Farbensinn der Urzeit (Frankfurt).

ROESLER, R. 1868. Zur Etymologie der Farbenbezeichnungen auf dem romanischer Sprachgebiete (Wien).

DUCOS DU HAURON, Louis. 1869. Les couleurs en photographie. Solution du problème (Paris).

RAYLEIGH, Lord (John William Strutt). 1870. "On the light from the sky: its polarization and colour".

CHURCH, Arthur Herbert. 1871. Colour, an elementary manual (London).

MAXWELL, James Clerk. 1872. "On colour vision", Proceedings of the Royal Institution of Great Britain 6, 260-271.

BEZOLD, Wilhelm von. 1873. "Ueber das Gesetz der Farbenmischung und die physiologischen Grundfarben", Poggendorf Annalen 150, 221-247.

BEZOLD, Wilhelm von. 1874. Die Farbenlehre in Hinblick auf Kunst und Kunstgewerbe (Braunschweig, Germany: Westermann). English translation, The theory of color in its relation to art and art-industry (Boston: L. Prang and Co., 1876).

HOLMGREN, Alarik F. 1877. Om Färbenblindheten i dess Förhållande till Jernvögstrafken och Sjöväsendet (Uppsala: E. Berlings). French translation, De la cécité des couleurs dans ses rapports avec les chemins de fer et la marine (Stockholm: Imprimerie Central, 1877).

MAGNUS, Hugo. 1877. Die Geschichtliche Entwickelung des Farbensinnes (Leipzig: Von Veit).

BABBIT, Edwin D. 1878. The principles of light and color, ed. by Faber Birren (New Hyde Park, New York: University Books, 1967).

FICK, Adolf. 1878. "Zur Theorie der Farbenblindheit", Arbeiten aus dem physiologischen Laboratorium der Würzburger Hochschule IV, Lieferung S.213.

GLADSTONE, W. E. 1878. Der Farbensinn mit besonderer Berüchsichtigung der Farbenkenntniss des Homer (Breslau).

HERING, Ewald. 1878. Zur Lehre vom Lichtsinne (Wien: Carl Gerold's Sohn). English translation by Leo M. Hurvich and Dorothea Jameson, Outlines of a theory of light sense (Cambridge, Massachusetts: Harvard University Press, 1964).

KRIES, Johannes von. 1878. "Contribution to the physiology of visual sensations", Archiv für Anatomie und Physiologie, Physiology section, 2, 505-524.

ALLEN, Grant. 1879. The colour-sense, its origins and development (London: Trubner & Co.).

MAGNUS, Hugo. 1879. Die methodische Erziehung des Farbensinnes (Breslau: Kern).

MARTY, Anton. 1879. Die Frage Nach der Geschichtlichen Entwickelung des Farbensinnes (Wien: Drud un Verlag von Carl Gerlod's Sohn).

ROOD, Ogden N. 1879. Student's textbook of color; or Modern chromatics, with applications to art and industry (New York: Appleton). New edition with notes by Faber Birren (New York: Van Nostrand, 1973).

MAGNUS, Hugo. 1880. Untersuchungen über den Farbensinn der Naturvölker (Jena: F. Fisher).

MUCKLEY, William. 1882. A handbook for painters and art students on the character, nature and use of colours (London).

RAYLEIGH, Lord (John William Strutt). 1882. "Experiments on colour", Nature 25, 64-66.

CROCKER, Lucretia. 1883. Lessons on colour in primary schools (Chicago).

MAGNUS, Hugo. 1883. Über ethnologische Untersuchungen des Farbensinnes (Berlin: Carl Habel).

RIDGWAY, Robert. 1886. A nomenclature of colors for naturalists (Boston: Little, Brown).

JOURNAL OF THE SOCIETY OF DYERS AND COLOURISTS. 1887 - today.

CHARPENTIER, Augustin. 1888. La lumiére et les couleurs au point de vue physiologique (Paris: Baillière).

DELITZCH, Franz J. 1888. Iris. Farbenstudien und Blumenstücke (Leipzig: Dorffling & Franke). English translation by Alexander Cusin, Iris: Studies in coloor and talks about flowers (Edinburgh: T. & T. Clark, 1889).

VECKENSTEDT, Edmund. 1888. Geschichte der griechischenb Farbenlehre: Das Farbenbezeichnungen der griechischen Epiker von Homer bis Quintus Smyrnäus (Paderborn: F. Schöningh).

HENRY, C. 1889. Cecle chromatique présentant tous les compléments et toutes les harmonies de couleurs (Paris).

BRADLEY, Milton. 1890. Color in the school room (Springfield, Massachusetts).

EWALD, A. 1890. Die Farbenbewegund kulturgeschichtliche Untersuchungen (Berlin: Weidman).

LACOUTURE, Charles. 1890. Répertoire chromatique; solution raisonnée et pratique des problèmes les plus usuels dans l'étude et l'emploi des couleurs (Paris: Gauthier-Villars).

ABNEY, William de Wiveleslie. 1891. Colour measurement and mixture (London: Society for Promoting Christian Knowledge).

EBBINGHAUS, H. 1893. "Theorie des Farbensehens", Zeitschrift für Psychologie und Physie 5, 145-.

GUAITA, Luigi. 1893. La scienza dei colori e la pittura (Milano: Hoepli).

KÖNIG, A., and C. DIETERICI. 1893. "Die grundempfindungen in normalen und abnormalen Farbensystemen und ihre Intensitätsverteilung im Spektrum", Zeitschrift für Psychologie und Physiologie 4, 241-347.

LOVIBOND, Joseph W. 1893. Measurement of light and colour sensations (London: George Gill and Sons).

PRANG, Louis. 1893. Color instruction (Boston).

TIVOLI, A. 1893. I colori nelle locuzioni italiane (Torino).

ABNEY, William de Wiveleslie. 1894. Colour vision: Being the Tyndall lectures delivered in 1894 at the Royal Institution (London: S. Low, Marston, 1895).

MAUTHNER, Ludwig. 1894. Farbenlehre (Wiesbaden, Germany).

MAYCOCK, Mark. 1895. A class-book for color teachers (Buffalo, New York).

CHACE, Helena. 1896. Practical color work for primary and ungraded schools (Springfield, Massachusetts).

BONACINI, Carlo. 1897. La fotografia dei colori (Milano: Hoepli).

DUCOS DU HAURON, Louis. 1897. La triplice photographique des couleurs et l'imprimerie, système de photochromographie (Paris).

GARBASSO, A. 1898. Lezioni sperimentali sulla luce, considerata come fenomeno elettromagnetico (Milano: Hoepli).

PRATT, Alice Edwards. 1898. The use of color in the verse of the English romantic poets (Chicago: The University of Chicago Press).

OTT, André G. 1899. Étude sur les couleurs en vieux français (Paris: E. Bouillon).

ABNEY, William de Wiveleslie. 1900. "The colour sensations in terms of luminosity", Philosophical Transactions of the Royal Society of London A 193, 259-287.

CROSS, Anson Kent. 1900. Color study, a manual for teachers and students (Boston).

HURST, George Henry. 1900. Colour, a handbook of the theory of colour (London).

IVES, Frederic Eugene. 1900. "The optics of trichromatic photography", Photographic Journal 40, 99-121.

LOEWENTHAL, Wilhelm M. 1901. Die slavischen Farbenbezeichnungen (Leipzig: A. Preis).

WARD, James. 1902. Colour harmony and contrast for the use of art students (London).

WILLMS, Johannes E. 1902. Eine Untersuchung über den Gebrauch der Farbenbezeichnungen in der Poesie Altenglands (Munich: J. Krick).

WOOD, Francis A. 1902. Color-names and their congeners: a semasiological investigation (Halle: Max Niemeyer).

JODIN, André. 1903. Etude comparative sur les noms des couleurs (Paris: Chevalier-Marescq).

MAYER, Arthur. 1903. Uber die Abhängigkeit der Farbenschwellen von der Adaptation (Freiburg, Germany: Speyer & Kaener).

UDINE, Jean d'. 1903. L'orchestration des couleurs: analyse, classification et synthèse mathématique des sensations colorées (Paris).

OSTWALD, Wilhelm. 1904. Malerbriefe: Beitrage zur Theorie und Praxis der Malerei (Leipzig: S. Hirzel). English translation, Letters to a painter on the theory and practice of painting (Boston: Ginn & Co., 1907).

SCHULTZ, Wolfgang. 1904. Das Farbenempfindungssystem der Hellenen (Leipzig: J. A. Barth).

WILEY, W. 1904. Influence of artificial colours on digestion and healt (Washington).

FRAUNHOFER, Joseph. 1905. Beistimmung des Brechungs - und Farbenzerstreuungsvermögens verschiedener Glasarten in Bezug auf die Vervollkommnung achromatischer Fernröhre (Leipzig).

MUNSELL, Albert Henry. 1905. A color notation, 1st-4th ed. (Boston: Ellis), 5th ed. and ff. (Baltimore, Maryland: Munsell Color Company, 1946).

PREVIATI, Gaetano. 1906. I principi scientifici del divisionismo (Torino: Bocca).

ROSMANIT, J. 1907. Zur Farbsinnprüfung im Eisenbahn-und Marinedienste (Wien: Wilhelm Braumüller).

KLINCKSIECK, Paul, and Th. VALETTE. 1908. Code des couleurs (Paris).

KATZ, David. 1911. Der Aufbau Der Farbwelt, 2nd ed. of Die Erscheinungsweisen Der Farben Und Ihre Beeinflussung Durch Die Individuelle Erfahrung (Leipzig: Verlag von Johann Ambrosius Barth, 1930). English translation by R. B. MacLeod and C. W. Fox, The world of color (London: Kegan, Paul, Trench, Trubner, and Co. 1935).

BAUMANN, P., and O. PRASE. 1912. Baumann-Prase Farbenkarte (Leipzig: Unesma).

BEAUMONT, R. 1912. Color in woven design, being a treatise on the science and technology of textile colouring, 2nd ed. (London: Whittaker).

KÖLLNER, Hans. 1912. Die Störungen des Farbensinnes (Berlin: Karger).

RIMINGTON, Alexander Wallace. 1912. Colour-music, the art of mobile colour (London: Hutchinson & Co.).

RIDGWAY, Robert. 1912. Color standards and color nomenclature (Washington: The author).

ROSS, Denman Waldo. 1912. On drawing and painting (Boston: Houghton Mifflin).

ABNEY, William de Wiveleslie. 1913. Researches in colour vision and the trichromatic theory (London: Longmans, Green).

ROSENTHIEL, C. 1913. Traité de la couleur au point de vue physique, physiologique et esthétique (Paris: Dunod et Pinat). 2nd ed. updated by J. Beaudeneau (Paris: Dunod, 1934).

THOMPSON, Silvanus P. 1914. Radiations visibles et invisibles (Paris).

CARPENTER, Henry Barrett. 1915. Suggestions for the study of colour (Rochdale, Lancashire).

LUCKIESH, Matthew. 1915. Color and its applications (New York: D. Van Nostrand).

PARSONS, John Herbert. 1915. An introduction to the study of colour vision (Cambridge, England: Cambridge University Press). 2nd ed. 1924.

PHILIPPS, Lisle March. 1915. Form and colour (London: Duckworth).

LUCKEY, Bertha M. 1916. The specific brightness of colors (Lincoln, Nebraska: The University of Nebraska).

MACH, Ernst. 1916. Die Prinzipien der physikalischen Optik, posthumous edition (Leipzig: J. A. Barth, 1921). English translation by John S. Anderson and A. F. A. Young, The principles of physical optics (New York: Dover, 1926).

NAMIAS, Rodolfo. 1916. La fotografia in colori, l'autocromia, ecc. (Milano).

OSTWALD, Wilhelm. 1916. Die Farbenfibel (Leipzig: Unesma). English version edited by Faber Birren, The color primer; a basic treatise on the color system of Wilhelm Ostwald (New York: Van Nostrand Reinhold, 1969).

BOUASSE, H. 1917. Vision et reproduction des formes et des couleurs (Paris).

OSTWALD, Wilhelm. 1917. Die Farbenlehre, I-V (Leipzig: Unesma). Authorized English translation with introduction and notes by J. Scott Taylor, Colour science, 2 vols. (London: Windsor and Newton, 1931- 1933).

OSTWALD, Wilhelm. 1917. Der Farbenatlas (Leipzig: Unesma).

OSTWALD, Wilhelm. 1918. Goethe, Schopenhauer und die Farbenlehre (Leipzig).

WEINBERG, Lois. 1918. Color in everyday life (New York: Moffat, Yard, and Co.)

OSTWALD, Wilhelm. 1919. Der Farbkörper (Leipzig: Unesma).

RICCIARDI, Achille. 1919. Il teatro del colore (Milano: Facchi).

VERANI, Giovanni. 1919. Combinazione e armonia dei colori (Milano).

LUCKIESH, Matthew. 1920. The language of colors (New York: ISCC).

OSTWALD, Wilhelm. 1920. Der Farbnormenatlas (Leipzig: Unesma).

SCHRÖDINGER, Erwin. 1920. "Grundlinien einer theorie der Farbenmetric im Tagessehen" I, II, III, Annalen der Physik 63, 397-456, 481-520.

MUNSELL, Albert Henry. 1921. A grammar of color, arranged and with texts by T. M. Cleland (Mittineague, Massachusetts: Strathmore Paper Company).

OSTWALD, Wilhelm. 1921. Die Grundlagen der messenden Farbenlehre (Leipzig: Barth).

PEDDIE, W. 1922. Colour vision (London: Arnold).

SCHUMANN, K. B. 1922. Die Farben als Charackterisierungsmittel in den Dichtungen des Vergil und Horaz (Erlangen: University of Erlangen).

ADAMS, E. Q. 1923. "A theory of colour vision", Psychology Review 30, 56-76.

BOIGEY, Maurice de. 1923. La science des couleurs et l'art du peintre (Paris: Alcan). English translation, The science of colour and the art of the painter (London, 1925).

HOUSTOUN, Robert A. 1923. Light and colour (London: Longmans, Green, and Co.).

SARGENT, Walter. 1923. The enjoyment and use of color (Charles Scribner's Sons). Republished with revisions and new material (New York: Dover, 1964).

MÜLLER, G. E. 1924. Darstellung und Erklärung der verschiedenen Typen der Farbenblindheit nebst Erörterung der Funktion des Stabchenapparates sowie des Farbesinns der Biene und der Fische (Göttingen, Germany: Vandenhoeck und Ruprecht).

RINALDI, Luigi. 1924. Estetica scientifica delle combinazioni dei colori con speciale applicazione alle arti industriali (Biella).

COLLINS, Mary. 1925. Colour blindness (New York: Harcourt, Brace and Co.).

JACOBS, Michael. 1925. The study of color, with lessons and exercises (New York).

SCHRÖDINGER, Erwin. 1925. "Über das Verhältnis der Vierfarben zur Dreifarbentheorie", Sitzungsberichte Kaiserliche Akademie Wissenschaften, Wien (IIa) 134, 471-490. English translation, "On the relationship of four-color theory to three-color theory", Color Research and Application 19 (1), 1994, 37-47.

SCHRÖDINGER, Erwin. 1926. "Die Gesichtsempfindungen", in Müller-Pouillets Lehrbuch der Physik, 2nd ed., vol. 2 (Brunswick, Germany: Vieweg).

BRÜCKNER, A. 1927. "Zur Frage der Eichung von Fabensystemen", Zeitschrift für Sinnesphysiologie 58, 322-362.

LEVENGOOD, S. L. 1927. The use of color in the verse of the Pleiade (Paris: Presses Universitaires de France).

MEYER, K. 1927. Die Bedeutung der weissen Farbe im Kultus der Griechen und Römer (Freiburg im Breisgau: K. Henn).

OVIO, Giuseppe. 1927. La scienza dei colori. Visione dei colori (Milano: Ulrico Hoepli).

SARGENT, Frederick Le Roy. 1927. Working system of color for students of art and nature (New York).

WALLACE, Florence E. 1927. Color in Homer and in ancient art, Smith College Classical Studies 9 (Northampton, Massachusetts: Smith College).

RANKIN, Herbert. 1928. Simple lessons in colour (London).

REISER, Oliver L. 1928. The alchemy of light and color (New York: W. W. Norton & Co.).

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BIRREN, Faber. 1934. Color dimensions; creating new principles of color harmony and a practical equation in color definition (Chicago: The Crimson Press).

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NICKERSON, Dorothy. 1938. Use of ICI tristimulus values in disk colorimetry (Washington: Department of Agriculture, Bureau of Agricultural Economics).

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PODESTA, H. 1941. Der ordnungswissenschaftliche Aufbau des Farbenkörpers (Stuttgart: Ferdinand Enke).

ROOD, Roland. 1941. Color and light in painting (New York: Columbia University Press).

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WILLMER, Edward N. 1946. Retinal structure and colour vision (London: Cambridge University Press).

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ABBOT, A. G. 1947. The color of life (New York: McGraw-Hill).

GRANIT, Ragnar. 1947. Sensory mechanisms of the retina (London: Oxford University Press).

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EVANS, Ralph M. 1948. An introduction to color (New York: John Wiley & Sons).

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PHYSICAL SOCIETY OF LONDON, COMMITTEE OF THE COLOUR GROUP. 1948. Report on colour terminology (London: The Physical Society).

PIRENNE, Maurice Henri. 1948. Vision and the eye (London: Chapman & Hall).

PLOCHERE, G., and l. PLOCHERE. 1948. Plochère color system (Los Angeles: G. et G. Plochère).

ANDRÉ, Jacques. 1949. Étude sur les termes de couleur dans la langue latine (Paris: C. Klincksieck).

HALBERTSMA, K. J. A. 1949. A history of the theory of colour (Amsterdam: Swets & Zeittlinger).

HARTRIDGE, H. 1949. Colours and how we see them (London: G. Bell and Sons).

KOUWER, J. 1949. Colors and their character, a psychological study (The Hague: M. Nijhoff).

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POLYAK, Stephen. 1949. "Retinal structure and color vision", Documenta Ophtalmologica 3, 24-46.

POPE, Arthur. 1949. The language of drawing and painting (Cambridge, Massachusetts: Harvard University Press, 1949).

WRIGHT, William David. 1949. Photometry and the eye (London: Hatton).